Onbeat — This Is Texas

Clock mode Provisional cue anchors. Live events always win.

Ready for the opening— BPM

Controls

Through the show

Rehearsal anchors · not automatic stage cues0:00 · Opening

0:002:15 · Boots4:25 · Build6:55 · preview only

Rehearsal position 0:00

Tempo & rehearsal settings Set these to your actual arrangement

Purify BPMSource pulse ≈138; use 69 for half-time counting. Boots BPMSource pulse ≈111; keep one tempo through hiphop. Glorious BPMSource pulse ≈100; your edited arrangement may differ. Count groupingSong GO and Beat 1 now restart the count. Glorious rehearsal auto-GOOptional m:ss, 3:45–4:24.9. No assigned time by default; live mode always uses manual GO.

Settings stay on this device. The show never starts automatically.

Rehearsal: start at 0:00 or select a segment; the clock changes Purify/Boots automatically. Enter an optional Glorious auto-GO in settings. Live: give each song GO on its actual entrance, then use Beat 1 now to align the phrase. Song GO changes the pulse, not the show position. Rappers, Latin dancers and company entrances remain event-driven. Keep this screen visible; it is not listening to the music.

The final spoken “GLORIOUS” is the blackout GO. 6:55 is only a preview endpoint. The metronome keeps going until you pause it; band/audio release is a separate decision.

Stage view: only the high-contrast pulse panel and timeline remain. Switch between the LED arc and large count without restarting the clock. The KITT-style scanner reaches a green end on each beat, crosses the short amber band, and passes the red center between beats; these colors are position markers, not show GOs. Use the panel’s Controls menu or Space / 1 / 2 / 3 / B / F shortcuts. Reduced-motion mode uses alternating end lights instead of a moving scanner.